Sundance Review: Operation Avalanche Is Sound Found Footage

I once joked that the Paranormal Activity sequels should keep going back in time, making an 8mm silent film and then ultimately Daguerrotype. I was joking about the Daguerrotype although I challenge Jason Blum to do it. A silent Paranormal Activity would’ve been cool though. Well, they didn’t do that either, but at least now the found footage genre has gone back in time enough to use pre-VHS materials, and it works for Operation Avalanche.

Owen Williams and Matt Johnson (themselves) are CIA agents tasked with making a moon landing movie, in case Apollo 11 doesn’t actually land. As part of their mission, they infiltrate NASA undercover, and research Stanley Kubrick’s techniques from 2001: A Space Odyssey.

The ‘60s era footage effect makes Operation Avalanche look better than modern found footage movies. Matt and Owen want the film of their findings to be good so they can be promoted in the CIA. It’s really fun to see the Lionsgate logo in Academy Ratio black and white 16mm. Even when they get better cameras and the bulk of the film is in 1.85:1, the saturated colors give it a beautiful old school film look, even if it is a digital effect of degrading the image.

Because filmmaking is the actual mission, there’s no need to remind us all the time that they’re filming. Besides, they’re undercover so no one else is supposed to know. Matt is overeager but he’s not the typical douchebag that found footage movies need in order to work. Only a douchebag would keep filming in an emergency, but when the emergency is a NASA coverup you would keep filming to expose them. At one point he does say he doesn’t care how much film they burn, but I took that more as a lovely reminder of the finite quality of pre-videotape materials.

Operation Avalanche is a love letter to Kubrick’s visual effects, and they got a good Kubrick lookalike and a fun reference to room 237. Johnson and Williams have good comic timing, in their delivery and their editing.

They take the conspiracy theory seriously though. They’re not making fun of people who think the moon landing was faked. They’ve actually suggested that they did such a good job faking it, that the mere suggestion of a conspiracy would make one sound crazy.

There is a behind the scenes story of how Williams and Johnson stole shots at NASA, but the film doesn’t need that gimmick to work. It’s also not in your face about where they filmed. They made the location part of the story, not vice versa. Most importantly, they made a good movie, so you won’t be left lamenting that the making of the film overshadowed the film itself.

The Martian Blu-Ray Review

I’d love to tell you what the bet part of The Martian is, but it’s all the best part. Every aspect of survival and maintaining one’s sanity on Mars is fascinating, but everything in the NASA offices on earth is gripping too. Whether debating an ethical dilemma, circumventing authority or solving interplanetary communication, every scene in The Martian is exciting.

Matt Damon IS The Martian

Matt Damon IS The Martian

Mark Watney (Matt Damon) is part of a manned mission on Mars. Presumed dead in a storm, he is left behind. When the storm is passed though, he wakes up and must find a way to survive and communicate with NASA. The team on the ground includes NASA chief Teddy Sanders (Jeff Daniels), Mars mission director Vincent Kapoor (Chiwetel Ejiofor), flight director Mitch Henderson (Sean Bean) and media relations director Annie Montrose (Kristen Wiig) who have just as compelling a narrative as Watney.

Jeff Daniels is a NASA administrator who closely monitors the fate of an astronaut stranded on Mars.

Jeff Daniels is a NASA administrator who closely monitors the fate of an astronaut stranded on Mars.

Everybody sacrifices something. Sure, Watney is probably the only one who could die, but Sanders is risking his job with some of the calls he makes. Public relations is important too. Why tell the crew returning to earth that the man they left behind was alive? They still have a year long trip back, but how could you not tell them? The JPL crews working on the rescue mission have an unrealistic deadline too. They won’t die if they fail, but the stress is unfathomable. If they let Watney die it would certainly weigh on them forever.

The pace is brisk because there’s no time to dwell on any one scene too long. Every solution brings about new problems to solve, on Mars and back home. It really is a metaphor for life. Every time you get comfortable, there’s more work to do. I wish it weren’t so. I’d love to just be comfortable and fulfill my duties to remain so, but that’s not the nature of life. At least we can be grateful that most of our decisions don’t risk dying of suffocation on an inhospitable planet.

For all the life or death decisions of The Martian, Drew Goddard’s screenplay adaptation of Andy Weir’s book also has a sense of play. Professionals get to f*** up expensive equipment because it’s an emergency and they are giddy about it. Old school gamers will appreciate a reference to classic text adventures on an old PC.

(from left) Matt Damon, Jessica Chastain, Sebastian Stan, Kate Mara, and Aksel Hennie portray the crewmembers of the fateful mission to Mars.

(from left) Matt Damon, Jessica Chastain, Sebastian Stan, Kate Mara, and Aksel Hennie portray the crewmembers of the fateful mission to Mars.

One of Watney’s discoveries in his Mars station is music left behind by commander Lewis (Jessica Chastain). It’s ‘70s disco, which becomes the film’s soundtrack. Music choices engage the audience to break up the science talk. Each song expresses theme with an irreverent wink and celebratory spirit. They stop short of playing “We Are the Champions” when Watney succeeds, but honestly I would have allowed it. The Martian is so rousing even the most on the nose music choice would work, but it doesn’t need to go there.

The only thing I didn’t like about The Martian was the 3D. The storm looked cool in 3D but the rest of Mars looks like odd, unnatural layers. The press conference at NASA looked more 3D than Mars. 3D makes the mountains of Mars look like a painted backdrop, when I’m sure it was a real location. Seeing The Martian on good old 2D Blu-ray corrected that problem and Mars appeared to have true depth now.

Annie Montrose (Kristin Wiig), NASA’s media relations director, and NASA’s Director of Mars missions, Dr. Vincent Kapoor (Chiwetel Ejiofor), do everything they can to bring home an astronaut stranded on Mars, in THE MARTIAN.

Annie Montrose (Kristin Wiig), NASA’s media relations director, and NASA’s Director of Mars missions, Dr. Vincent Kapoor (Chiwetel Ejiofor), do everything they can to bring home an astronaut stranded on Mars, in THE MARTIAN.

The entire cast is excellent. Daniels is expert at saying what needs to be said without saying it, and especially leaving out what is unspeakable. Wiig captures that dilemma of knowing that the right decision won’t go over well with the public. Ejiofor, a naturally charismatic performer, captures the phenomenon of talent in one field not translating to public speaking. Benedict Wong is endearing as the harried JPL director. As another crew member, Michael Pena delivers trash talk in the loving way colleagues mean it, which is a fine line to walk. Pena’s been saddled with one dimensional stereotypes before but the material is there for his digs at Watney to express the thinly veiled affection he intends.

Of course Damon manages to be the everyman when he’s playing a genius botanist astronaut. Matt Damon must have done the Cast Away diet because he does look emaciated by the end. He did not grow the Cast Away beard though because that looks totally fake. I’ll give them the fake beard though. They had much more important things to do. They got everything right, and we can suspend disbelief with the beard.

Dare I say The Martian is Ridley Scott’s best space movie? It just gets everything right from the script to performances to soundtrack. Maybe this initial euphoria will wear off, but I don’t think so. It’s only going to improve on repeated viewings when I notice how the things Watney and NASA do early on pay off later.

Now on Blu-ray, DVD and digital

Now on Blu-ray, DVD and digital

The Blu-ray really nails the red of the red planet, and night scenes are beautiful too. You see extraordinary details in mundane closeups too, like fingernails, or the grit on the space station. Back on earth, NASA headquarters has a cool crisp look too.

The bonus features do emphasize the comedy of The Martian. They were probably produced well before the film was submitted in comedy categories at awards shows, so they were always thinking this. Some of the promotional videos with Damon and costars in character as Watney and co. are a fun touch too. Given the relatively brief extras and no Ridley Scott commentary, I suspect there is a much more in-depth Blu-ray/DVD of The Martian coming down the road, but it’s worth owning the movie in high definition right now.